Icapas 2022 Proceeding

Technology Fetishism in Amateur Photography Practices Close to The Post-Digital Era

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Hartono Karnadi

1 – 13

Visual Programming for Visual Communication Design Students

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Yusup Sigit Martyastiadi

14 – 22

Pseudo-Reality Representation  of Agan Harahap’s Photography Work

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Satrio Hari Wicaksono

23 – 32

Live 2D Virtual Character Development  on Online Streaming Class

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Darfi Rizkavirwan¹, Ken Violeta², Vincent³

33 – 39

The Analysis of “Dall-E 2” Digital Image Outcome on “Starry Night, Van Gogh” Prompt

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40 – 49

Liberating Perspectives: Concepts and Effects of Using 360-Degree Cameras  on Virtual Theater Performances

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Rizal Sofyan

50 – 61

Back to basic: What is missing in the virtual choir as a practice?

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Indra Kusuma Wardhani

62 – 72

Performing Arts Research in Digital Era: Applying PRISMA Systematic Literature Review of  Comedy Management

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TTrisna Pradita Putra¹, Budi Irawanto²

73 – 89

Ondel-Ondel in the Digital Age

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Mita Purbasari¹, Donna Carollina²,  M Dwi Marianto³

90 – 96

Reinventing Ephemerality and Indigenous Knowledge in Virtual Dance at Gorontalo

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Riana Diah Sitharesmi

Vertical Video Trends Among Amateur Digital Platform Users As An Alternative for Film Production

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Retno Mustikawati¹, Ghalif Putra Sadewa², Muhammad Alvin Fadholi³

Factors of Post-Digital Education Shaping Future Filmmakers:   A Study of Social-Technological Approach of Film Learning Process

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Annita¹, Yosef Budi Susanto²

121 – 127